The theatre developed by Brecht can be called either ....... theatre or .......... theatre.

The theatre developed by Bertolt Brecht can be referred to as "epic theatre" or "dialectical theatre."

Epic theatre is characterized by its intent to provoke critical thought in the audience rather than emotional involvement. Brecht wanted viewers to engage intellectually with the story, questioning societal norms and the circumstances of the characters rather than simply becoming emotionally invested.

Dialectical theatre, on the other hand, emphasizes the conflicts and contradictions within society, encouraging audiences to analyze these contradictions and understand the dynamic nature of social realities. It aims to challenge conventional ways of thinking and inspire action towards societal change.

Both forms serve Brecht’s goal of making theatre a tool for socio-political critique and awakening audience consciousness. Through techniques such as the "Verfremdungseffekt" or "alienation effect," Brecht aimed to prevent passive engagement, prompting audiences to reflect on the themes presented.